From Janet O. Dallett's When the Spirits Come Back (Inner City Books, Toronto, 1988); she writes:
Reflecting upon these events, I understood for the first time that a certain kind of work, resembling what Jung calls "visionary art," functions in much the same way as the shaman in tribal societies. That is, some art is shamanic in function. Formed from the collective unconscious material, it activates the unconscious of its audience and mobilizes the psyche's self-healing capacities. It opens a door to a different reality, the world of dreams and imagination, and "spirits" silently pass into the world of every day, affecting people in unexamined ways.
Shamanic art undermines unexamined cultural assumptions. For this reason it disturbs some people and may even arouse rage. Those who are open to it, however, often find that it sets their own creativity in motion.
Such art tends to be prophetic. It asks, even insists, on being heard, just as shamans are compelled to tell about their inner experiences when they begin to apply what they have learned about healing themselves to their healing of others. The visionary creative act is not complete until it finds an audience, coming out into the world and disturbing the complacent surface of collective consciousness. If the process is blocked, one outcome may be psychosis. Cancer may be another.
Shamanic art brings eros values to the healing of the psyche. That is, unlike traditional clinical psychology and psychiatry, it is more concerned with connecting and making whole than with the logos values of dissecting and understanding. It is related to a form of psychotherapy that interprets rarely, seeking instead to set in motion a symbolic process that has its own unforseeable healing goal. Understanding of behaviour is important only to the extent that it serves a living relationship to deep levels of the psyche. . . The soul of the shaman lies equally behind the visionary artist and the therapist who works in this way. If the shamanic type of therapist ceases to live her own creative life, the capacity to function in healing ways becomes lost and may even turn destructive. (36 - 37)
