T.L. Morrisey

Showing posts with label Loyola Campus. Show all posts
Showing posts with label Loyola Campus. Show all posts

Monday, September 25, 2023

Loyola College, Montreal

Not far from where I live is the former Loyola College (on Sherbrooke Street West near West Broadway); it is now, as of 1974, a campus of Concordia University. Concordia University was created by the amalgamation of Sir George Williams University, which was associated with the YMCA, and Loyola College, which was a Roman Catholic institution. Loyola College is one more institution built by Montreal's Irish community, as is St. Mary's Hospital. The college seems to have retained its heritage and religious foundation, as far as this is possible in today's secular world. Hingston Residence is on the campus, William Hingston being an important historical figure in Montreal. There is a free shuttle bus service for students that takes you to the downtown campus in a half hour, or less depending on traffic. Vanier Library is found here as are newer science buildings. 

Photographs taken the morning of 9 September 2023.











This is the new science hub at Concordia; visit the science hub located on the Loyola Campus. 








Friday, July 28, 2023

Hollyhocks at Loyola College

Photograph taken from the parking lot of what used to be Loyola College but is now part of Concordia University. For some reason, in recent years, these hollyhocks are cut down sometimes even before they bloom. This year they are a beautiful sight; sometimes I take seeds from these hollyhocks to grow them in my garden, but rarely with much success. Considering they are a fairly common flower, growing like weeds in this neighbourhood, I have little luck growing them. 







Tuesday, November 23, 2021

Community Garden outside Hingston Hall

This seems to be some professor's university garden project for their students, not for outsiders, so don't touch those tomatoes or you will find your photo on Instagram! 




What bad PR for this garden. 










Monday, November 15, 2021

Indigenous Garden at Loyola College

I read something about this Indigenous Garden in The Suburban, but the only way I found it was by the photograph attached to the article, and then only with some difficulty. The garden is located behind the psychology building on the Loyola Campus of Concordia University; it's located in the shade of the building. I often walk on the campus and there are many, better, sunnier places where this garden could have been located. Since it was only planted in late summer it should be more substantial next year. What I would like to see here are plants that are native to this area, plants that attract birds and insects in our area. We think of some of these plants as weeds but they are important for whatever urban wildlife we have left. The Audubon Society has a service regarding native plants, it is "Plants for Birds" and this is a great way to attract birds and insects to one's garden at home. 


Barren now but this is September-October, next summer I expect a real garden here.







Saturday, October 23, 2021

Community Gardens, The City Farm Garden

 

All photos taken in October 2021



I used to post photographs of the City Farm Garden, the area where herbs and flowers were grown, located behind the Hingston residence on the Loyola Campus of Concordia University; this area has been either built on, ploughed under, or left to go wild. Left to go wild is my preference. The larger part of the City Farm Garden seen above, just a few hundred feet from the other area, is thriving and abundant. They grow food that goes to Montreal-area food banks including homeless shelters. . 

Monday, August 23, 2021

Getting Started on a Canadian Cottage Garden


How did I begin my Canadian cottage garden? How did I get started? I began by removing a lot of small trees--these were barely saplings--that had begun to grow on the edge of the yard. None were more than four feet tall, they were like weeds and had self-seeded; I didn't want them to grow any taller, I like trees and when I lived in the country I never cut down any trees, but these city trees would make a small backyard darker than it already was. Then, I noticed the hydrangeas in the front of the house had gotten out of control, it was a lot of work but I dug some of them up and a few of the hydrangeas I didn't discard were moved to the backyard. I don't like waste but I do like tidy and, despite liking cottage gardens, I also like  a certain homey austerity that favours frugality. While doing this I moved some raspberry canes from one side of the garden where they had been planted many years before, and neglected, when the yard had more sunlight, and I transplanted them to a sunny area near the attached room by the side of the house. I pulled up weeds and then I began planting perennials; this was in 2016 and 2017. This was the beginning of the transformation of a barren backyard, grass with weeds and trees growing on the perimeter, into a cottage garden. 

I used to watch those home improvement shows on HGTV, someone would buy a run-down 1950s bungalow and then the home improvers would arrive, they've become celebrities, and quickly decide to rip out the purple bathroom and old fashioned kitchen, and make the whole place open floor concept, just a huge room. Nowadays, apparently, people want walls since they`re working and staying at home a lot of the time, they want some private space. The renovated old bungalows look better because they`re fixed up, painted, but they all look the same. They look like the places that are staged by real estate agents, nothing is personal, no family photos or anything familiar is allowed, books are in storage, its a soulless environment meant for a potential buyer. After a few years of watching these programmes on television I began seeing some truly ugly renovations. That was when I decided that just about anybody could do this job, but not the physical work involved; go to a big box hardware and buy whatever is the latest in faucets, tiles, paint colours or wall paper, fake fireplaces, appliances and back splash tiles, cabinet and drawer pulls, and you will end up with a contemporary house. But not a home, that requires people. I must add that taking a home built in 1950 and tearing down the walls, or a home from 1870 and making it contemporary, destroys the original ambience of the home; you may as well tear the house down and begin again, you have destroyed the original architecture of the building`s interior and, especially in an older house, you have not restored it, you have destroyed it. I know this because after I sold our 1870 country home someone bought it and destroyed it with their renovations.  

There are two approaches to poetry and gardening, two types of poets and gardeners: classical and romantic, formal and informal. I have known people who buy annuals every spring and lay out perfect gardens, designed with colour and plant in mind, height and appearance, and placed in garden beds along the edge of the garden. These gardens are a lot or work and they look pretty good. These are the classicist middle class gardeners. On the other end of the spectrum are the romantics, these are the cottage gardeners. Of course, most gardeners are somewhere in the middle, neither formal nor informal, they have lovely city or country gardens. I won`t bother with the non-gardeners, the patch of dying grass with no flowers, or one or two flowers, a few impatiens, and so on. 

I was reading someone`s comments on how to plant a cottage garden. Tall spiky flowers go together, similar colours go together, and so on. Some planning is important, in fact I do a lot of planning, usually it`s about where I will expand the garden and if I have the time for maintaining a larger garden. I am fairly slow at this type of thing and it may take a few years to fully implement my plans, it may even take up years I have fewer of. But, otherwise, there is not a lot of planning for country gardens; I favour gardens that are anarchic and show some returning to nature. This is especially true of the cottage garden. 

Over the years I have enjoyed walking by the city farm garden behind the student residence at the Loyola Campus of Concordia University. They grow food for food banks and they used to also sell what they grew at a market. Now, the garden and herb area has been more or less abandoned and it has gone, as they say, wild. But the flowers and other plants are still there, cone flowers, daisies, horse radish, different herbs, fruit berries, lilac bushes, and so on. It all needs a good watering and it is now anarchic and unorganized; it has moved towards the wild category. But in nature what seems unorganized only means it is untouched by people. Order is imposed by the observer, it may not be inherent in the garden. This area of the former city farm garden is now a cottage garden and it is doing its best to survive since no one ever waters or weeds it, but it is still a garden and it is enjoyable as it is. In effect, we might define a cottage garden as controlled wilderness, a contradiction but the best I can do. 

My only rule for my garden, other than the obvious--water your plants, maximize sunlight, buy plants in your hardy zone or they may not last the winter--is that the tall plants are in the back of the flower beds, the shorter plants are in the front of the flower beds, but this is common sense. 

Friday, April 2, 2021

Good Friday morning on the Loyola Campus

It's quiet here on the Loyola Campus; classrooms are empty, dorms closed, library closed, no students on campus for over a year. 

 

Facing Sherbrooke Street West, chapel on the right

The Vanier Library



Main administration building

Wednesday, October 14, 2020

"Montre-moi par où on commence. Dis-le-moi au creux de l'oreille", by Marc-Antoine Côté

 
". . . A new work of public art outside the building, “Montre-moi par où on commence. Dis-le-moi au creux de l’oreille,” by Quebec artist Marc-Antoine Côté, stands two storeys tall. Made from 2,700 kilograms of metal — mainly aluminum — the sculpture’s title roughly translates to “Tell me where we start. Whisper it right into my ear,” which invites passersby to interact directly with the work, to the point of stepping right inside of it if they wish. “By going inside the sculpture, people get a perspective that’s completely different than what they see from above, from the surrounding buildings or from the ground,” Côté says." (Quoted from a Concordia University publication.)