‘Some say horsemen, some say warriors’ by Sappho

 

Some say horsemen, some say warriors,

Some say a fleet of ships is the loveliest

Vision in this dark world, but I say it’s

What you love.

It’s easy to make this clear to everyone,

Since Helen, she who outshone

All others in beauty, left

A fine husband,

And headed for Troy

Without a thought for

Her daughter, her dear parents…

Led astray…

And I recall Anaktoria, whose sweet step

Or that flicker of light on her face,

I’d rather see than Lydian chariots

Or the armed ranks of the hoplites.

"Tulips" by Sylvia Plath

 

The tulips are too excitable, it is winter here.
Look how white everything is, how quiet, how snowed-in
I am learning peacefulness, lying by myself quietly
As the light lies on these white walls, this bed, these hands.
I am nobody; I have nothing to do with explosions.
I have given my name and my day-clothes up to the nurses
And my history to the anaesthetist and my body to surgeons.

They have propped my head between the pillow and the sheet-cuff
Like an eye between two white lids that will not shut.
Stupid pupil, it has to take everything in.
The nurses pass and pass, they are no trouble,
They pass the way gulls pass inland in their white caps,
Doing things with their hands, one just the same as another,
So it is impossible to tell how many there are.

My body is a pebble to them, they tend it as water
Tends to the pebbles it must run over, smoothing them gently.
They bring me numbness in their bright needles, they bring me sleep.
Now I have lost myself I am sick of baggage ——
My patent leather overnight case like a black pillbox,
My husband and child smiling out of the family photo;
Their smiles catch onto my skin, little smiling hooks.

I have let things slip, a thirty-year-old cargo boat
Stubbornly hanging on to my name and address.
They have swabbed me clear of my loving associations.
Scared and bare on the green plastic-pillowed trolley
I watched my teaset, my bureaus of linen, my books
Sink out of sight, and the water went over my head.
I am a nun now, I have never been so pure.

I didn't want any flowers, I only wanted
To lie with my hands turned up and be utterly empty.
How free it is, you have no idea how free ——
The peacefulness is so big it dazes you,
And it asks nothing, a name tag, a few trinkets.
It is what the dead close on, finally; I imagine them
Shutting their mouths on it, like a Communion tablet.

The tulips are too red in the first place, they hurt me.
Even through the gift paper I could hear them breathe
Lightly, through their white swaddlings, like an awful baby.
Their redness talks to my wound, it corresponds.
They are subtle: they seem to float, though they weigh me down,
Upsetting me with their sudden tongues and their colour,
A dozen red lead sinkers round my neck.

Nobody watched me before, now I am watched.
The tulips turn to me, and the window behind me
Where once a day the light slowly widens and slowly thins,
And I see myself, flat, ridiculous, a cut-paper shadow
Between the eye of the sun and the eyes of the tulips,
And I have no face, I have wanted to efface myself.
The vivid tulips eat my oxygen.

Before they came the air was calm enough,
Coming and going, breath by breath, without any fuss.
Then the tulips filled it up like a loud noise.
Now the air snags and eddies round them the way a river
Snags and eddies round a sunken rust-red engine.
They concentrate my attention, that was happy
Playing and resting without committing itself.

The walls, also, seem to be warming themselves.
The tulips should be behind bars like dangerous animals;
They are opening like the mouth of some great African cat,
And I am aware of my heart: it opens and closes
Its bowl of red blooms out of sheer love of me.
The water I taste is warm and salty, like the sea,
And comes from a country far away as health.

“A Wood-path” by Bliss Carman

 

Veeto in 2015

At evening and at morning
By an enchanted way
I walk the world in wonder,
And have no word to say.


It is the path we traversed
One twilight, thou and I;
Thy beauty all a rapture,
My spirit all a cry.


The red leaves fall upon it,
The moon and mist and rain,
But not the magic footfall
That made its meaning plain.

"Come to me here from Crete" by Sappho

 

Come to me here from Crete,

To this holy temple, where

Your lovely apple grove stands,

And your altars that flicker

With incense.

And below the apple branches, cold

Clear water sounds, everything shadowed

By roses, and sleep that falls from

Bright shaking leaves.

And a pasture for horses blossoms

With the flowers of spring, and breezes

Are flowing here like honey:

Come to me here,

Here, Cyprian, delicately taking

Nectar in golden cups

Mixed with a festive joy,

And pour.

"A Bonus" by Elizabeth Smart

 

Elizabeth Smart

That day i finished
A small piece
For an obscure magazine
I popped it in the box

And such a starry elation
Came over me
That I got whistled at in the street
For the first time in a long time.

I was dirty and roughly dressed
And had circles under my eyes
And far far from flirtation
But so full of completion
Of a deed duly done
An act of consummation
That the freedom and force it engendered
Shone and spun
Out of my old raincoat.

It must have looked like love
Or a fabulous free holiday
To the young men sauntering
Down Berwick Street.
I still think this is most mysterious
For while I was writing it
It was gritty it felt like self-abuse
Constipation, desperately unsocial.
But done done done
Everything in the world
Flowed back
Like a huge bonus.

"Clenched Soul" by Pablo Neruda

 

We have lost even this twilight.
No one saw us this evening hand in hand
while the blue night dropped on the world.
I have seen from my window
the fiesta of sunset in the distant mountain tops.
Sometimes a piece of sun
burned like a coin in my hand.
I remembered you with my soul clenched
in that sadness of mine that you know.
Where were you then?
Who else was there?
Saying what?
Why will the whole of love come on me suddenly
when I am sad and feel you are far away?
The book fell that always closed at twilight
and my blue sweater rolled like a hurt dog at my feet.
Always, always you recede through the evenings
toward the twilight erasing statues.

"September 1913" by W.B. Yeats

 

What need you, being come to sense,

But fumble in a greasy till

And add the halfpence to the pence

And prayer to shivering prayer, until

You have dried the marrow from the bone;

For men were born to pray and save:

Romantic Ireland’s dead and gone,

It’s with O’Leary in the grave.

Yet they were of a different kind,

The names that stilled your childish play,

They have gone about the world like wind,

But little time had they to pray

For whom the hangman’s rope was spun,

And what, God help us, could they save?

Romantic Ireland’s dead and gone,

It’s with O’Leary in the grave.

Was it for this the wild geese spread

The grey wing upon every tide;

For this that all that blood was shed,

For this Edward Fitzgerald died,

And Robert Emmet and Wolfe Tone,

All that delirium of the brave?

Romantic Ireland’s dead and gone,

It’s with O’Leary in the grave.

Yet could we turn the years again,

And call those exiles as they were

In all their loneliness and pain,

You’d cry, ‘Some woman’s yellow hair

Has maddened every mother’s son’:

They weighed so lightly what they gave.

But let them be, they’re dead and gone,

They’re with O’Leary in the grave.

Psyche's Night Journey, July 2018

 

2012

1.

 

From the bottom of a garbage can in the kitchen

honeybees fly out as a great black cloud,

I ran to the living room and then closed myself in the sun porch.

A dog, with a black face, joined me.

“They stung my face,” he complains.

Others join us and somehow we get rid of the bees.

Meanwhile, someone is sitting on the stairs outside by a pool in the garden.

  

2.

 

There are three of us sky diving,

holding hands forming a circle.

We are not falling, instead

we are ascending the sky.

As we rise higher, the physical body  

feels not only healed, but ecstatic

in freedom from earth and an aging body:

I did not want to return to the life

I am living, I did not want to return

to the old life. I weep as I feel the joy of freedom.

 

3.

 

Former Prime Minister Chretien tells me

he’ll do what he can for us

to hang onto the building,

but there are other people who want it.

Also he wants me to lose weight, improve my health.

 

4.

 

In a basement, flooded with two or three feet of water,

big shits like loaves of bread

float in the water and I try to break them into slices

with a paddle so that when my wife arrives,

walking in the water, she won’t step on the shit.

I try to stuff the shit down a drain

 

5.

 

My son tells me he wants me as a “friend”.

I reply, “I am your father, not a friend;

a father is better; I love you as a father,

a friend is less than a father.”

  

6.

 

The key is broken to the old Volkswagen,

but it still starts the car. Returning home,

the car’s gear shift comes off in my hand and trying to repair it,

I crawl into the car’s body and discover the car is a wooden vessel,

a web of slats covered with plywood, almost paper thin

for lightness. I arrive at Oxford Avenue where I grew up;

at the front door a man’s corpse covered with a white sheet

sits in an upright position. When I return that evening he is gone

and I am relieved: But who was this corpse?

Someone I have forgotten or never knew,

the white sheet a shroud, like a body

found in the frozen north—one of Franklin’s crew—

preserved by the cold, lips pulled back in the permanent

grin of the dead, like a wolf’s bared yellow teeth.

 

7. Five Black Horses

 

It was a demonstration of something, the severed

horse’s head on a chair and the four black horses

standing facing the audience. Behind the middle horse

a man took a hammer and drove a bolt

into the horse’s neck; at first, the horse stood as before,

we were all calm, including the horses,

and then the animal fell to the floor.

The others were to follow.

 

8.

 

I am told my father has just died.

He was alive all the years

I thought he was dead.

For fifty years I grieved

and regretted his death.

Now, again, I have missed him.

 

9.

 

A cat has been a nuisance,

the landlord next door is dealing with it.

He has a big knife and has cut off the cat’s paws,

and then cut further up the leg.

Someone holds the cat for him.

He may even have skinned the cat,

and planned to keep it alive to suffer.

We are in his car and I am pleading with him

to kill the cat, pleading kill the cat, end his suffering.

His daughter is also pleading with him to kill the cat,

“Daddy, please kill the cat. Please, please kill the cat.”

 

10.

 

I am walking along a street of ice and snow.

I stop and pay for a newspaper with tokens from the casino.

Then I am in a dentist’s office full of Americans,

all smiling and young, each in a separate cubicle.

The dentists in their white jackets

are all eager to work, they ignore  

a small black dog trying to get into the building.

I open a door for the dog and a stag is there,

I try to hold him back, but he’s large

and incredibly strong as he breaks through the door.

Now he’s in the building, in the hallway, in the room.

 

11.

 

A man is trying to get into a house

through an attic window,

the attic full of old furniture,

paintings, books, and old cardboard boxes

with writing in black felt pen on them.

Two children run down the stairs

to escape this man standing on a ladder

at the attic window. Outside, in a barren field,

 two other men lean over a dead animal,

behind them are cattle they killed

covered with six inches of soil;

“oh no,” they say when a grey horse,

they thought dead, rises up on its front legs.