An Introduction to the art of Darrell Morrisey

 

Darrell Morrisey

I wrote an essay on the paintings of Darrell Morrisey and then requested that ChatGPT edit what I had written, for concision, and this is what it produced. I made the same request of MetaAI (owned by Facebook) and got nothing, they had never heard of Darrell (couldn't they have at least done a search on her?), MetaAI was actually insulting and Deep Seek was totally useless; here is what ChatGPT wrote:

Darrell Morrisey (1897–1930) was a Canadian artist whose contributions to early 20th-century art, particularly within Montreal's Beaver Hall Group, have only recently received scholarly attention. Darrell Morrisey was a member of Montreal's Beaver Hall Group, a collective of Canadian artists active in the early 20th century. The group is notable for its inclusion of both male and female artists and its embrace of modernist styles. Despite her premature death and the subsequent disappearance of her works, Morrisey's paintings and her biography offer an interesting addition to the history of the Beaver Hall artists. 

Morrisey received her artistic education at the Art Association of Montreal (AAM) between 1917 and 1920, studying under prominent artists such as Maurice Cullen and William Brymner. Her participation in the AAM's Spring Exhibitions and the Royal Canadian Academy of Arts' annual exhibitions during the 1920s reflects her active engagement with the Canadian art scene. In 1921, she exhibited a portrait at the inaugural exhibition of the Beaver Hall Group, a collective of artists dedicated to exploring modernist themes and techniques. She studied at the Art Association of Montreal (AAM) from 1917 to 1920, participating in several of its Spring Exhibitions during that period and later years. In June 1917, she took open-air drawing classes from Maurice Cullen in Phillipsburg, Quebec, and the following year from William Brymner in Calumet (now Pointe-Calumet), Quebec.

The Beaver Hall Group, established in 1920, was instrumental in advancing modern art in Canada. Unlike the contemporaneous Group of Seven, which focused predominantly on landscapes, the Beaver Hall artists embraced a diverse range of subjects, including portraiture and urban scenes, and were notable for their inclusion of women artists. Morrisey's involvement with this group positioned her among peers who were at the forefront of artistic innovation in Montreal.

Morrisey's limited body of work is characterized by a focus on rural landscapes and one portrait. Her travels to Europe between 1921 and 1922, including visits to the United Kingdom, Italy, and France, likely enriched her artistic perspective, as suggested by the European themes present in some of her later works.

The discovery of Morrisey's paintings has been a gradual process. In May 2024, a painting titled "Sunset Landscape," dated 1917, was identified in the United Kingdom and subsequently returned to Canada. This work, along with others that have surfaced, such as a depiction of L'église Notre-Dame-de-Grâce in Montreal, underscores her artistic range and the geographical breadth of her subjects.

Despite these discoveries, much of Morrisey's life and work remains shrouded in mystery. Her early death at the age of 33 and the subsequent disappearance of many of her paintings have contributed to her status as a "forgotten" artist within the Beaver Hall Group. Recent scholarly efforts, including essays and exhibitions, have begun to shed light on her contributions, emphasizing the need for further research to fully appreciate her role in Canadian art history.

In examining Darrell Morrisey's paintings, one not only gains insight into her personal artistic journey but also into the broader narrative of Canadian modernism. Her work reflects the dynamic interplay between tradition and innovation that defined the art scene in early 20th-century Montreal. As more of her paintings come to light, there is an opportunity to reassess her impact and ensure that her legacy is appropriately recognized within the canon of Canadian art.

Morrisey's artistic contributions are less documented compared to some of her contemporaries. However, a recently discovered painting titled "Sunset Landscape" (1917) showcases her talent and provides insight into her style.

While specific comparisons between Morrisey's work and that of other Beaver Hall artists are limited due to the scarcity of her known pieces, her association with the group suggests she shared their modernist approach and thematic interests.

For a more comprehensive understanding of Morrisey's art in relation to her peers, further research and discovery of her works would be necessary.

Morrisey's artistic focus included portraits and rural landscapes, with her later works reflecting her travels in Europe. She exhibited at the first annual exhibition of the Beaver Hall Group in January 1921, presenting a portrait. Throughout the 1920s, her work was admired by critics in Montreal. She traveled to Europe from August 1921 to July 1922, visiting the United Kingdom, Italy, and France, and occasionally visited the United States.

Due to her early death and the subsequent disappearance of many of her paintings, Morrisey became one of the "forgotten" members of the Beaver Hall Group. However, recent discoveries have brought some of her works back into the public eye. In May 2014 the first of her paintings was discovered in her hometown, Westmount, Quebec, entitled "Landscape (possibly Pointe Calumet, Quebec". Ten years later, in May 2024, a painting titled "Sunset Landscape" was discovered in the United Kingdom.  Additionally, in September 2024, two more paintings were found, including one depicting L'église Notre-Dame-de-Grâce in Montreal (located on the corner of Decarie and Avenue Notre-Dame-de-Grâce), believed to have been painted between 1927 and 1930.

These recent discoveries have renewed interest in Morrisey's contributions to Canadian art, shedding light on her role within the Beaver Hall Group and the broader art community of her time.

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The Beaver Hall Artists

I began this journey, writing about Phillips Square, because the Art Association of Montreal was located on the north-east corner of the Square; I always thought that members of the Beaver Hall group of artists could easily have walked up Beaver Hall Hill to the AAA where some of them attended art classes or looked at art. The Beaver Hall group of artists are considered to be the Montreal-based equivalent of the Group of Seven artists; in fact, A.Y. Jackson was a member of both groups. That is why I began collecting photographs of Phillips Square and the original building that housed the AAM, and I began looking for historical photographs of the Beaver Hall artists' studio on Beaver Hall Hill. I was curious about the Beaver Hall artists and how they are an important part of the history of Montreal; perhaps more importantly, I like their art very much. 

Someone I wrote about, Darrell Morrisey (no relation), has a kind of curious importance; Darrell is one of several Beaver Hall artists who have been forgotten by history. In Darrell's case, we really don't know what happened to her art, whether she gave up being an artist, or someone discarded her paintings after her early death in 1930, or whether she was not prolific and her remaining paintings have disappeared over time. In 2012 I wrote an essay about Darrell Morrisey and since then she was included in the Beaver Hall artist exhibition held at the Montreal Museum of Fine Arts in 2015, she was included in their exhibition catalogue, and two of her paintings (on two sides of the same panel) and several drawings were discovered after I published my essay. She is not among the best of the Beaver Hall artists but she is an interesting story of endurance, family history, and one woman's effort to be independent. 

This old map of Montreal shows Beaver Hall Hill, St. Patrick`s Church
on an adjacent street to Beaver Hall Hill, and other locations

The arrow indicates the Beaver Hall artists`studio

The arrow indicates a building where the 
Beaver Hall artists' studio was located

This is a Google Street View of the previous image, as of October 2021, 
the relentless construction of condos and office buildings has destroyed
whatever was left of the original Beaver Hall Hill; the Beaver Hall artists' studios
were in a building to the right of the remaining building above

From Lowell's Montreal City Directory, the address of the Beaver Hall 
Group of Artists, 305 Beaver Hall Hill

Looking south on Beaver Hall Hill towards Victoria Square, 1950s

Phillips Square, Some Photographs

There are thousands of historical photographs of Phillips Square, here are a few that follow the changes in the square.

Here is Phillips Square when it was still treed and rural; the AAM in the background;
the city plans to restore some of the trees

The building on the right was owned by Alfred Joyce, a prominent Montreal businessman;
the building was demolished and the Canada Cement Building constructed 
on this site in 1922

The Canada Cement Building is directly behind
the statue of King Edward VII

Morgan's Department store on the left; 

Phillips Square is across the street from Morgan's

Phillips Square, 1950s

Phillips Square, The Art Association of Montreal

Phillips Square in 1916

Phillips Square, located across the street from The Bay department store in downtown Montreal, has always interested me. Just down the street from Phillips Square was the studio of the Beaver Hall artists, and it was not a long walk from there to the Art Association of Montreal, located on the northeast side of Phillips Square. Eventually, the AAM became the Montreal Museum of Fine Arts / Musée des beaux-arts de Montréal, located on Sherbrooke Street West, and it now has several buildings at that location. The AAM building was opened in 1879; the Museum's "new" building, on Sherbrooke Street, was opened in 1912. I consider the MMFA / MBAM one of the great attractions of the city, one of the great bonuses of living in Montreal, both for tourists and for Montrealers. 

    The land that became Phillips Square was donated to the city of Montreal in 1842 by the widow of Thomas Phillips, a wealthy Montreal businessman. At that time this was a residential area as it remained for many years. However, over time, businesses began to move to this area and the residents moved out. Today the square is being made more user friendly by the city, trees are being planted and the whole square is being renovated (if that is the right word). Unfortunately, condos are also being built in the area, huge ugly monstrosities that dominate the skyline. The monument in the center of the square is a statue of King Edward VII, the British monarch from 1901 to 1910; Edward was the son of Queen Victoria and, as Prince of Wales, he opened the Victoria Bridge in 1860. 

    Here are photographs of the Art Association of Montreal, on the northeast corner of the square.

The Art Association of Montreal

Art Association building, Phillips' Square, Montreal, QC, about 1890

Art Association of Montreal exhibition, 1905

The Art Association of Montreal is on the right, on the left is
Morgan's Department Store, now The Bay

Phillips Square in 1907, the Art Association of Montreal is on the left behind the horse and sleigh