T.L. Morrisey

Showing posts with label towers. Show all posts
Showing posts with label towers. Show all posts

Monday, July 27, 2009

Le Grand Seminaire (two)


A photograph (above) of Le Grand Seminaire from Sherbrooke Street West and then some photographs (below) taken on the grounds. 


Beginning with towers (one is seen above), I think of the Tarot cards, and then the Twin Towers in New York City. There is Joyce's tower in Dublin but, also, Yeats's famous tower; there is Robinson Jeffers' tower and C.G. Jung's tower. There is the poet's tower which is an archetype that exists inside the psyche of every poet. 

There is also a long pool of water on the grounds of the Grand Seminaire, overgrown and intimate, with its invitation to dream, to the unconscious, to other pools of water and to water itself, the unconscious mind, a timelessness and place existing beyond space, beyond the here and now but thoroughly involved in the here and now. Water to enter and find, at the ocean's bottom, strange fish from the water's cold depths and perhaps sunken ships and lost treasure. 

Doors are entrances, but they are also exits, and they are firmly closed (possibly not opened for many years and next to impossible to open), or left open and busy, part of the mercantile class, or ominous and forbidding, but always archetypal and evoking the unconscious. 

Always the invitation to the unconscious is there, that place of poetry and creativity, presented in archetypes, in that which is timeless and gives us hope against the soul deadening efforts of everyday life at the material level. What is life denial? It is existing in the here and now, with no God, no prayer, no meditation, no art, no poetry, no dreams, forsaken of the spiritual... and there are those people in our society with their efforts to eradicate the spiritual by condescension and ridicule and life denial. And then, the presence of archetypes, the unconscious, the mythic dimension. There are the life deniers among us, but no one can ever fully succeed in denying life because, always waiting, like water in a spring (so important to the Celts), are the archetypes, the spiritual, the divine presence, which is always there, always waiting to appear, as natural as fresh water bubbling up from a spring on the side of a road. And what is as natural as water from a spring? It is that the unconscious mind is seemingly hidden but always present, always showing itself in dreams and archetypal dream imagery or strange complex behaviour only explainable by psychology. 

The unconscious is present, it is always "behind the scenes" so that life is not as we might rationally want, but as the unconscious decides in its own way, almost a separate entity with its own rules and, importantly, always moving towards psychic wholeness, psychic healing. 

You ignore the unconscious at your own peril. The archetypes are portals into the unconscious, into poetry.

Revised: 31 March 2020; this is substantially the same commentary as when it was originally published; I have edited a few sentences, included paragraph breaks, and so on; some of this is no longer what I would write today. 

In the name of making money and nothing else, what you see in these photographs no longer exists.  
















Saturday, July 25, 2009

At Le Grand Seminaire, corner Atwater and Sherbrooke (one)


These are photographs (above) of the twin towers at the Grand Seminaire, which is located on Sherbrooke Street West near Atwater Street; the Grand Seminaire is a teaching institute run by the Sulpician Order in Montreal. I took these photographs a few years ago, and other photographs I have taken of the Grand Seminaire are on this site. The towers, built in the early 1600s, are at the top of Fort Street and Tower Street in Montreal, and were used for protection when French settlers were attacked by Amerindians. There is a narrow slit in the stone walls from which a rifle could be placed. I am interested in the Sulpicians because three of my great great uncles were students here and in France, and then, later, became priests serving parishes in Montreal. They were among the very few English-speaking students at the Grand Seminaire, and Father Martin Callaghan and his brother Father James Callaghan are both buried in the crypt in the basement of the Seminary. Only last week we attended a "light show" presented at the Basilique Notre Dame, in Old Montreal, and saw a history of the Sulpicians in Montreal. The Sulpicians once owned the entire Island of Montreal, from when the tiny settlement was called Ville Marie (City of Mary), through the time of the English Conquest, to modern times and the radical decline of the influence of the Roman Catholic church in all of Quebec. I recommend this presentation at Notre Dame to anyone who is interested in these things and who is visiting Montreal. It can be seen in only a half hour or so, and it is incredibly well done. The other Callaghan brother, Father Luke Callaghan, is buried at Cote des Neiges Cemetery, a cemetery that is owned by the Sulpicians. A few years ago, I went on a tour of the other Seminary, next door to the Basilique Notre Dame in Old Montreal (not the buildings shown here) and I'll post these photographs one day. This tour was organized by my cousin Sharon Callaghan. I remember thinking, at both locations, that I could easily stay living there the rest of my life, I felt so much at home in either location. And since I am both English-speaking and not a Catholic this is quite something! I think the Sulpicians made a very nice life for themselves, not one of struggling and penance, but one of teaching, apparent affluence (but not ostentation), and a life of devotion to the beliefs of the Church. Below are some photographs of the entrance to the Grand Seminaire and the grounds of the property. Adjacent to the Grand Seminaire, on east side, is the College de Montreal, where the poet Emile Nelligan was a student. Nelligan's father was Irish and Emile was baptised at St. Patrick's Church; he wrote all of his poems in French, by the time he was twenty years old, and spent most of his life institutionalized due to mental illness. He is one of Canada's best poets.