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| Endre Farkas, Stephen Morrissey, and Artie Gold |
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| Tom Konyves |
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| Claudia Lapp at St. Viateur Bagel restaurant on Monkland Avenue, 2004 |
| Tom Konyves and Carolyn Zonailo |
| From left: Tom Konyves, Endre Farkas, Claudia Lapp |
Morrissey's archive
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| Endre Farkas, Stephen Morrissey, and Artie Gold |
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| Tom Konyves |
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| Claudia Lapp at St. Viateur Bagel restaurant on Monkland Avenue, 2004 |
| Tom Konyves and Carolyn Zonailo |
| From left: Tom Konyves, Endre Farkas, Claudia Lapp |
If you are not to become a monster,you must care what they think.If you care what they think,how will you not hate them,and so become a monsterof the opposite kind? From where thenis love to come—love for your enemythat is the way of liberty?From forgiveness. Forgiven, they gofree of you, and you of them;they are to you as sunlighton a green branch. You must notthink of them again, exceptas monsters like yourself,pitiable because unforgiving.
The Neuro (Montreal Neurological Institute and Hospital) is located at the top of University Street in downtown Montreal, across the street from the old Royal Victoria Hospital. The "Royal Vic" is now a part of the "super hospital" on the Glen in West-end Montreal, and the site of the old Royal Vic building is being repurposed and is under construction. (As seen here on 30 April 2026.)
Here are some details of Mary Harris Filer's mural at The Neuro.
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| The co-founder of The Neuro, Wilder Penfield, in brown suit and arm extended; note the extensive coverings worn by surgeons to avoid infections in patients |
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The patient is modelled after the artist, Mary Harris Filer![]() |
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| In the operating room |

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| Visual depiction of mental illness as a kind of demonic possession this might refer to epilepsy (a major concern of Drs. Penfield and Cone); epilepsy was considered a mental, moral, or spiritual illness until the Twentieth Century |
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Dr. William Vernon Cone (1897–1959) was a pioneering American-Canadian neurosurgeon who co-founded the Montreal Neurological Institute (The Neuro) with Wilder Penfield in 1934 |
Some of the poems in Lines on Trout River have now been published in Public Reverie; thank you, Theresa Smalec! A chapbook containing the complete series of poems can be ordered from https://turrethousepress.ca/ Here is the first poem in the chapbook.
This is not yet the sea, it is the river.
—Louis Dudek, Europe
It’s nice being alone
in old age, sitting
on the side of the bed
with the radio on,
classical music
on the CBC, and
a book I’m reading,
The Epic of Gilgamesh,
reading
by the light
of a lamp
bought at
an auction
thirty years ago,
and the lamp
even then was old,
made in the 1930s;
it was the MSO
playing Mahler’s
4th movement
of Symphony # 5,
and outside the insects
sing what my English
ancestors called “the
Canadian Symphony”
after they moved
to Ontario from Blackburn
in the north of England,
the least fashionable part of the UK,
they were builders, plasterers,
painters, carpenters,
workers in the mills,
carters, and landlords
renting flats they constructed,
a distant cousin collecting rents,
and one was a publican
and farmer, at the Yew Tree
Inn—oh tree of death—and the sounds
are Canadian sounds
on a fall night,
in the darkness,
before sleep.
Lines on Trout River has just been published by Jame Hawes at Turret House Press; this chapbook (booklet) is made up of thirteen poems that refer to the Trout River and the archetype of rivers, time, old age, and the relentless changes in life that we all experience. I lived beside the Trout River from 1979 to 1997 and it was the river that I liked most about living in southwestern Quebec. I think this is the best work I've written in many years; it's different than previous poems I've written but I think it's my authentic voice at this time of my life.
Copies can be purchased from www.turrethousepress.ca
In Lines on Trout River, Stephen Morrissey draws together influences as diverse as The Epic of Gilgamesh, Beowulf, Mahler, Nelligan, and Wordsworth, yet the poem remains unmistakably rooted in the particular history and geography of rural Quebec. The landscape becomes a “thin place,” where the visible and invisible worlds meet, and where poetry itself becomes an act of spiritual witness. Meditative, unsentimental, and deeply humane, The Lines on Trout River is both elegy and testimony: a powerful reflection on the passage of time and the persistence of the soul through memory and art.
the Lines separating
youth from old age,
and writing poems;
fields bordered
by drainage ditches
and the Morrison Side Road
I know of two murals at McGill University, one is by Marian Dale Scott, a prominent artist and wife of poet and law professor Frank Scott, and the other is in a conference room on the first floor of the Montreal Neurological Institute-Hospital (The "Neuro") on University Street, part of the McGill University Health Care hospitals. "The Advance of Neurology" is by Mary Harris Filer and was unveiled by Quebec premier, Maurice Duplessis, on 14 November 1954.
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| Mary Harris Filer |
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| Artist's signature at bottom of the mural |
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| Plaque beside the mural |