T.L. Morrisey

Showing posts with label symbols. Show all posts
Showing posts with label symbols. Show all posts

Saturday, May 20, 2023

On the Epic of Gilgamesh

 


Part of the attraction of the Epic of Gilgamesh, at least for me, is that this is mankind's oldest literary work; the tablets containing the story of Gilgamesh were written approximately 4,000 years ago. Despite this, the text has a contemporary quality not necessarily found in other ancient texts. It is the story of a man's journey to self-knowledge and inner peace; of course, this "heroes' journey" is not exceptional in describing the journey, it is the traditional journey from unself-consciousness to being conscious of one's life; in its simplicity, directness, and its archetype of inner discovery, we can relate to Gilgamesh.

            In the Epic of Gilgamesh we can see ourselves, but to do so we might delete cultural referents and concentrate on the man who is Gilgamesh, a man who is us. We are contemporary people, living at least four thousand years after Gilgamesh lived or was invented, whether he is an invention, a fictional being, or an historical character; we can relate to his journey for it is also our journey, not embellished by belief or gods or being saved by someone else, and in this Gilgamesh, portrayed in mankind's oldest text, is contemporary. He is relevant at both ends of linear time -- alpha and omega, beginning and ending, A to Z, the apparent beginning and the end of the age in which we live -- we can identify with someone from the beginning of time. Ironic, isn't it? But it speaks to the enduring authenticity of the Epic of Gilgamesh.

            There is also the story itself, and what a contemporary story it is as Gilgamesh searches for the meaning of life, the ultimate meaning, the meaning that explains the purpose of life, that explains the purpose of his life. The meaning of life is to understand life better, to be a conscious person, to make sense of life, perhaps to even find some peace in life. Gilgamesh is an archetype for the person who searches for meaning; that's how I read his adventure, his story, his journey. This is one of the ways in which people today can learn from this epic, it is thoroughly contemporary even with its inclusion of gods and experiences impossible for people today to relate to except as literature, myth, and dream content. But at an archetypal and psychological level Gilgamesh and his story open a level of understanding of existence that is valuable for a contemporary audience. 

            Gilgamesh predates Homer's Odyssey and Iliad which date from 1,000 B.C. There is an oral tradition that helped preserve Homer's work but this doesn't seem to apply to the Epic of Gilgamesh, it is a written text. This reminds me of Grimm's fairy tales, collected by the Grimm brothers in the early half of the 19th Century; but research maintains that the stories collected by the Grimm brothers originated as far back as 4,000 years B.C. and I have also read that they are as old as 20,000 years, predating even Gilgamesh. They are archetypal and ageless, beyond time itself, as are all myths that work on a psychological level: don't take them literally but as a way to understand the eternal enigma of human existence.

            Gilgamesh seems to have missed out on an oral tradition as is found in both Homer and the Grimm fairy tales, but we have a written text for Gilgamesh. We know of the Epic of Gilgamesh only because cuneiform tablets containing the text of this literary work were discovered in the mid-1800s and later translated into English, this was fortuitous because even today very few people can actually read these tablets or speak the ancient language in which they are written. It is also a synchronistic discovery, Gilgamesh was discovered just when his story needed to be discovered. But is it possible that the Epic of Gilgamesh is older than 2,000 BC?  

            Another point is that the biblical story of the flood, coming after Gilgamesh was written, is also found in the Gilgamesh epic; apparently, whoever wrote the Book of Genesis, in which the flood story is included, knew or had heard of the Gilgamesh version of the flood. The biblical version of the flood is more or less a direct copy of that which is found in Gilgamesh. Was the Gilgamesh version of this story transmitted orally to the authors of the Old Testament?

            I am old fashioned, I believe in a didactic aspect to what I read; I like to learn things from what I read, especially things appertaining and contributing to my understanding of life. Whether it is F. Scott Fitzgerald's The Great Gatsby or Melville's Moby Dick, or the Epic of Gilgamesh, I am always aware of content and narrative, symbol and archetype that help me better understand both my own life and the life of others. Never underestimate this transcendent aspect of reading.