T.L. Morrisey

Showing posts with label P.K. Page. Show all posts
Showing posts with label P.K. Page. Show all posts

Tuesday, June 9, 2020

Four Crow Poems, A.J.M. Smith, P.K. Page, and Glen Sorestad,



The Crows
A.J.M. Smith

Over the pines the crows
Are crying and calling out
With a hollow brazen throat
In a tongue that no man knows;
Yet it may be that they cry
Their bitter unspeakable tones
To the cold air where they fly
As a man might mock the bones
Of a joy that has come to death,
Railing with ragged shout
And pitiful eager breath
Against the crapulous sky
And all that is beneath.

The Crow
by P.K. Page

By the wave rising, by the wave breaking
high to low;
by the wave riding the air, sweeping the high air low
in a white foam, in a suds,
there
like a churchwarden, like a stiff
turn-the-eye-inward old man
in a cutaway, in the mist
stands
the crow.

Late Summer Crows
by Glen Sorestad

Field upon field of wheat turns
in its cycle of green to gold
as I drive through summer's dying.
Above grain that sends waves
in slow measure shore to shore
a still sky glazed with sun.
Against this duo-toned day
erratic unexpected movement:
black rags on the sky, a shout of crows.
Harbingers of summer's decay, crows
read the season's cryptic message,
muster their numbers in the gathering gold.
Black flakes drift against August sun,
somber and sure as obituaries, sound
grave edicts across the sky.

Moselle Crow
by Glen Sorestad

Dawnlight creeps across vineyards
along the Moselle's chalky slopes
and the heady scent of ripe Riesling grapes
drifts through the window of the hotel
and into my semi-consciousness when
I am yanked to wakefulness
by a familiar raucous cry.
It is Crow--no mistaking
this unmelodic voice, the same here
in this little German village
as anywhere Crow flies. I can't
believe Crow's followed me all this way
just to grate my dreams at German dawn.
Bird of myth and legend. Crow
crosses oceans and mountains,
flies beyond language, through time,
beyond humankind's history of strife.
Like sun, wind and rain Crow is there,
its harsh voice inevitable as death.

Bibiography:

A.J.M. Smith. Poems, New and Collected, Oxford University Press, Toronto, 1967.

P.K. Page.The Hidden Room, Collected Poems, Volume One,  The Porcupine's Quill, Erin, 1997.

Glen Sorestad. Leaving Holds me Here, Selected Poems,1975-2000, selected by John Newlove. Thistledown Press, Saskatoon, Sask., 2001


Friday, April 6, 2018

After reading F.R. Scott's Events and Signals (1954)

It's a different experience to read someone's individual books than it is to read their collected poems. For instance, F.R. Scott's Events and Signals (1954), which I've just read, gives the reader an insight into Scott's thinking that changes one's perception of Scott, it softens and humanizes him; perhaps this side of Scott isn't as evident as in his Collected Poems. In fact, the Frank Scott in this book is quite fascinating and revealing. "Departure" seems to refer to his separation from P.K. Page in the late 1940s. I think we only see now, after Peter Dale Scott's poem in last fall's Pacific Rim Review of Books, that "A L'Ange Avant Gardien" and "Will to Win" refer to the artist and dancer Francoise Sullivan, but if I'm wrong then correct me. And we know that he had also a romantic relationship with the artist Pegi Nichol which perhaps gives us a different perspective on his poem "For Pegi Nichol". There were so many affairs with or without the possibly silent approval of his wife, Marian Dale Scott. "Invert" and "Caring" give an insight into these affairs: it is that Scott was always looking for love but also afraid to leave his marriage with someone he also seemed to love and (of course) lose his social position. Even today we don't look on affairs with approval or kindness; affairs come across as sordid and someone is always betrayed and hurt by them.


Cover of Scott's Events and Signals