A newly discovered painting by Darrell Morrisey

"Sunset Landscape" by Darrell Morrisey, dated May 1917

In March of this year I was contacted by Gretchen Shoring of ARTI, a company selling antique paintings located in London, UK, about a painting possibly by Canadian artist Darrell Morrisey. Darrell was a "forgotten" member of Montreal's Beaver Hall group of artists; while some members of the group have become famous, Darrell and several others have mostly disappeared from public view.            

"Sunset Landscape" is not signed on the front of the painting, but Darrell's signature is on the reverse, written in pencil in cursive; on the previously discovered painting (see below) by Darrell, her name is printed in block letters at the lower left of the painting; in both cases she has written her name, "D. Morrisey". Duggleby Stephenson, the auction house based in Yorkshire, UK, which first acquired this painting, describes it as follows:

Description: Darrell Morrisey (Canadian 1897-1930): Sunset Landscape, oil on board signed with initials, inscribed and dated 1917 verso 13cm x 19cm

Here is a suggestion of what might be the provenance of "Sunset Landscape". The painting might have been a gift by Darrell to someone she knew, I suggest it was given to Charles Darrell (or a member of his family), after whom Darrell was named, as he was both Darrell’s godfather and a close friend of  T.L. Morrisey, Darrell's father. In 1913, when Darrell was about fifteen years old, she left Montreal for the UK, accompanied by Charles Darrell to his family home in Chiselhurst, Kent, where she would board at Tudor Hall School. Charles Darrell and his wife, Emily Harries Jones, had four daughters, all older than Darrell, and Darrell could easily have been included in family gatherings. Charles Darrell was born and raised in Yorkshire, where Duggleby Stephenson is located; is it not possible that a descendant of Charles Darrell returned to Yorkshire and, many years later, in 2023 or 2024, decided to sell the painting? Someone identified the artist, Darrell Morrisey, who was a family friend, on a note attached to the reverse of the painting. I think this is a possible scenario. But, obviously, I am just speculating and I could be totally wrong.

Finally, I like this painting very much; it demands our attention. To me, the painting has a charisma (assuming a painting can have charisma; Darrell definitively had charisma). Of course, what we need are more paintings by Darrell, and we may find a few more, but for now we have her life story that is still unfolding, and we have these paintings by her.    

Here is a link to my 2012 essay on Darrell Morrisey: Darrell Morrisey, a forgotten Beaver Hall artist.  

In our living room: on left, a painting by Mary Harman, used as the cover image for
my selected poems, Mapping the Soul, Selected Poems, 1978-1998 (1998); on the right
is a watercolour by J.F.B. Livesay, the father of Canadian poet Dorothy Livesay; 
the painting by Darrell Morrisey is below the Livesay.

"Sunset Landscape", by Darrell Morrisey, 1917

                                            Reverse side of "Sunset Landscape” with Darrell's signature
                                and a sticker identifying Darrell and her brother, Thomas Sydney Morrisey  



Two paintings by Darrell Morrisey

Painting by Darrell Morrisey discovered in 2014

Newly discovered painting by Darrell Morrisey, 2024

Two newly discovered paintings by Darrell Morrisey

A newly discovered painting by Darrell Morrisey

A second painting is on the reverse side of above painting,
"L'église Notre-Dame-de-Grâce", by Darrell Morrisey, 1927 - 1930

Label of framer on this painting

L'église Notre-Dame-de-Grâce, located at 5333 Avenue Notre-Dame-de-Grâce, Montreal;
photo from 1890

Photographs of L'église Notre-Dame-de-Grâc, from the church website

In September I received an email saying that a Darrell Morrisey painting had been discovered; Mr. Charles Lecour writes, "I bought it a few weeks ago from an antique dealer from Lachute who offered it online. I was immediately taken by the painting but at the time didn’t find anything about the signature or in my books."   Mr. Lecour, formerly of Montreal, now lives in Sherbrooke, about 150 km east of Montreal. Darrell Morrisey was a member of the important Beaver Hall group of artists; unfortunately, Darrell died young—at age thirty-three years— and she was soon forgotten as an artist.

Here is Mr. Lecour's description of the painting: 

The front is a simple countryside landscape with the tree and the hay wagon . Signed D Morrisey, and measure 13 1/2 x 11 1/4 in. framed. The other side of the board shows a religious building to be identified, unfortunately someone wrote some numbers, but it looks written in pencil. It bears a label for Maison Morency Frères , when they were on Ste-Catherine at their beginning (opened 1906) , they had two other locations afterward , the most famous address was when they were on St-Denis street near De Maisonneuve. (15 September 2024)

At first I wondered where this landscape had been painted, there are no recognizable geographical features in the painting but there is the hay wagon. Darrell visited France several times and in Quebec she often painted rural country scenes, but I wondered about the hay wagon, it is a minor point but all I had to go on. Were hay wagons similar to the one shown in her painting used in Quebec? The answer is that this type of hay wagon was used in both Quebec and in France, so it could have been painted in either place.  Personally, I would place this landscape in Quebec. 

It is Darrell's painting of the church that interests me more than the landscape, it is the painting that I would hang in my living room if I owned this painting. At first I wondered if it was a painting of a church in Spain, it didn’t look like a traditional Quebec church. I did a reverse image search on the painting and one of the many images that came up was of L'église Notre-Dame-de-Grâce here in Montreal. Well, this was a happy coincidence and quite an auspicious discovery, from 1976 to 1979 I lived on Northcliffe Avenue just two block east of this church; I spent many hours waiting for a bus, to the Vendome Metro station, standing across the street from L'église Notre-Dame-de-Grâce; unfortunately, I didn’t pay enough attention to the church. And now, here it was in Darrell Morrisey’s painting. 

Construction of L'église Notre-Dame-de-Grâce began in 1851 and the church was inaugurated on 18 September 1853, exactly 153 years ago. The architect of the church was John Ostell, an English architect who had married a Roman Catholic woman and converted to Catholicism; he also designed the two towers on the prestigious and historical Notre Dame Basilica facing Place d'Armes. There is a crypt beneath the church and Jacques Viger, the first mayor of Montreal, is buried there. Guido Nincheri designed stained glass windows for L'église Notre-Dame-de-Grâce; for some time there has been a growing interest in Nincheri's work, his studio is in Montreal's Hochelaga-Maisonneuve district; stained glass windows by Nincheri can be seen at St. Michael the Archangel Church in Mile End in Montreal, at L'église Saint-Léon de Westmount, and at many other churches. Mélanie Grondin's The Art and Passion of Guido Nincheri (Vehicule Press, 2017) is an excellent biography of Nincheri's life.

But there is more. I noticed that the bell tower on the right side of the church is not present in old photographs of the church. The bell tower is a relatively new addition to the church, it was constructed in 1927, and this helps us date the painting; Darrell must have painted the church between 1927 and the date of her passing in 1930. 

We can even narrow down when the painting was done to just one year as her presence in Montreal was infrequent between 1927 and 1930. In the fall of 1926 Darrell and her parents traveled to the UK, they had planned a tour of Britain and France now that T.L. Morrisey, Darrell's father, had retired from the insurance business; however, shortly after arriving in the UK, T.L. Morrisey died. Then, Darrell and her mother returned to Canada and sold Hazelbrae, the family home on Church Hill Avenue. During 1927 and 1928 Darrell was busy with her art, it was a time of creativity and being active in the art community. In 1927 she exhibited in the  RCA members exhibition; a year later, in 1928, she exhibited her paintings with the Art Association of Montreal (later the Montreal Museum of Fine Arts). She even illustrated an advertisement for a cook book, Les Secrets de la bonne Cuisine (the advertisement was published in LaPresse, 22 October 1928), by Soeur Sainte-Marie Edith.

On 18 August 1928, Darrell and her mother traveled to England on the Duchess of Bedford. On a ship's passenger list Darrell lists her occupation as “artist”. After Darrell's mother returned to Montreal Darrell stayed on in London, she was a resident there for almost two years, from August 1928 to 6 July 1930 when she returned to Montreal. We don’t fully know what happened during those two years. Then, Darrell returned to Montreal for an unusually short visit, from July to September 1930, and she returned to the UK on 11 September;  she traveled alone and listed her profession as "none". A month later, Darrell Morrisey died, on 22 October 1930, at London, England, where she had been living at 18 Weech Road in Hampstead. It is an anticlimax to this narrative to say that the painting must have been painted between January 1927 and August 1928, probably the summer of 1927 or the summer, to August, of 1928.                                                      

And now, I must thank Mr. Charles Lecour for contacting me about this painting; I hope he enjoys it as much as I have enjoyed seeing it and researching and writing about the painting of an artist who was unknown and forgotten just fifteen years ago, and whose charisma can still be felt almost a hundred years after her passing.

For more information on Darrell Morrisey: 

https://archive.org/details/DARRELLMORRISEYAForgottenBeaverHallArtistByStephenMorrissey/mode/2up

https://stephenmorrisseyblog.blogspot.com/search?q=darrell+morrisey

T.L. Morrisey, excerpt from an essay he wrote

 

                From left: Darrell Morrisey; her father T.L Morrisey; her brother Thomas Sydney Morrisey;
                and her mother Clara Morrisey; outside their home "Hazelbrae", at 85 Churchill Avenue,
                                                                            Westmount, Quebec.



Canada's Future, what she offers after the war, a symposium of official opinion (1916) (ed. E.A. Vickers) is an early but important collection of statements, a symposium, on the future of Canada; included among the contributors is the father of Darrell Morrisey (pictured above), Darrell is a forgotten member of Montreal's important Beaver Hall Group of artists.

Here is an excerpt from T.L. Morrisey's contribution to this book. T.L.'s son, Thomas Sydney Morrisey, went on to have a prominent role in business and he  distinguished himself as a war hero in the Canadian Expeditionary Force in Siberia. Darrell Morrisey, in 1916, was only 17 years old and still in school. T.L., himself, was born into a middle class family in Halifax, Nova Scotia; he became very wealthy in the insurance business in Montreal. T.L. died in 1926 not long after his retirement; he and his wife, and Darrell, had recently arrived in the UK planning to spend the winter months in England and France when he died:

In the never-to-be-forgotten April days of the eventful year, 1915, when the torture of suspense spread like a pall over the country to its remotest corner, to be followed by the thrill of pride and exultation, as the story of the glorious deeds of the Canadians at Ypres and St. Julien gradually unfolded, a nation was born! There, upon the classic battle-ground of Europe, that witnessed the military operations of the mighty Caesar and his legions, and, down through the centuries, the struggles of various peoples for mastery! There, against the onslaughts of the greatest military organization the world has ever known, employing methods entirely novel in warfare, and, be it said to the everlasting disgrace of Germany, as despicable as novel, these new-found warriors of the twentieth century held fast, and, in the words of their illustrious commander-in-chief, "saved the situation".

May it not well be asked, where is there another 'eight million people as highly favoured as this eight million, another community possessed of the same per capita wealth, potential as well as in being? Should we not justly be proud of our heritage— our “place in the sun” — and forever be prepared to defend it to our last dollar, and our last man ?

                            

                                                       --T. L. Morrisey

Barbara Whitley, 1918-2018

The Pond at Westmount Park, 1916, Notman photograph

I met Barbara Jane Whitley by chance, it was in October 2011 at the memorial service for F.R. Scott at St. James the Apostle Anglican Church in downtown Montreal. I was researching one of the "lost" Beaver Hall artists, Darrell Morrisey (no relation), and although Miss Whitley never met Darrell she had been a friend of other members of Darrell's family. Now Barbara Whitley is gone and gone as well are her memories of Stephen Leacock and other writers and artists of a long passed era. Barbara Whitley was two years younger than my mother, and it was my mother who told me that a Colonel Morrisey had phoned her in 1940 asking if we were related to their family and also looking for family history information. None of the dots were connected until Evelyn Walters contacted me in 2010 regarding Darrell, who I had never heard of, but I realized that Colonel Morrisey was the older brother of Darrell. Sounds complicated but it really isn't. A lot of coincidences came together; it was a celebration of art, history, and synchronicity! The essay, "Darrell Morrisey, A forgotten Beaver Hall artist", is online at archive dot org. 

Updated on 31 August 2022: It was October 2011 when I was at St. James the Apostle Anglican Church for the F.R. Scott event; not sure if I had seen T.S. Morrisey's name on a plaque at the church at this point, which is when I met, by chance, Barbara Whitley; just on a hunch I asked her if she knew T.S. Morrisey who was also, at one time, a parishioner at this church and she replied that she had known him. I asked her about his younger sister, Darrell, but she didn't remember ever meeting her. She suggested going to Knolton to find, if possible, the lost painting by Darrell; Miss Whitley's attitude re. Darrell was pragmatic, if her paintings were all "lost" then maybe she wasn't that good an artist. 

Here is the obituary as published in the Montreal Gazette:

BARBARA JANE WHITLEY

1918-2018

Following a life of extraordinary involvement, generosity and devotion to her family and community, Barbara Jane Whitley quietly passed away at home on Friday, May 18th, in her 101st year.

Barbara, the only child of Ernest Whitley and Gertrude McGill, was a lifelong Montrealer. She attended The Study and went on to earn a degree at McGill University. Here she attracted the attention of famed humourist Stephen Leacock, who invited her to join him on his popular radio broadcasts. This experience ignited her lifelong love for theatre and her talent as a thespian. This passion carried on though her decades-long involvement with the Centaur Theatre and with Geordie Productions. Who could forget one of her final roles, as one of the poisonous sisters in ?Arsenic and Old Lace?? All who were fortunate enough to have known Barbara will also remember her as a captivating story teller and great orator.

Barbara's enduring legacy is her steadfast support of numerous Montreal institutions, both as a volunteer and as a philanthropist. Her community involvement began in the Second World War, when she served with the Canadian Red Cross. She then took on leadership roles within the Women?s Canadian Club and the Junior League.

As a philanthropist, Barbara supported numerous causes, including St. James the Apostle Church and McGill University. In honor of her father, she established the Whitearn Foundation, which supports research of diseases of the eye. She was a devoted ?old girl? and loyal supporter of The Study, co-establishing the school?s Foundation in 1973. 

Barbara's most notable contribution was her 70 plus years of service to the Montreal General Hospital, where she served as president of the Auxiliary and was the first woman ever to serve on the hospital's executive committee. In recognition of her incredible service, she was awarded a Lifetime Achievement Award from the MUHC in 2016. 

Barbara never sought recognition for her generosity. However, her long list of honors and awards cannot be overlooked. Most notably, in 1992 she received an honorary doctorate from McGill University, in 2004 the Governor General's Caring Canadian Award, and in 2013 the prestigious Queen Elizabeth II Diamond Jubilee Medal for her outstanding contribution to the community.

Barbara left a lasting impression on all who came to know her. She will be deeply missed by her adoring family and friends, many of whom gathered to celebrate her 100th birthday on April 8. Her family extends a special thank you to Dr. David Mulder, for his care and friendship.

"The most truly generous persons are those who give silently without hope of praise or reward." (Carol Ryrie Brink)

Funeral services will be held at Mount Royal Cemetery Complex (1297 Chemin de la Foret) entrance only possible through the Outremont Gate due to closing of Camillien-Houde) on Saturday June 9th at 11 am. In lieu of flowers, donations can be made in memory of Barbara Whitley to the Montreal General Hospital Foundation. Donate online: http://www.mghfoundation.com/en/donate-now/give-in-honour, call (514) 934-8230 or mail your donation to the MGH Foundation, 1650 Cedar Avenue, E6-129, Montreal, Quebec, H3G 1A4.

Barbara Whitley

Published in the Montereal Gazette:.http://www.legacy.com/obituaries/montrealgazette/obituary.aspx?n=barbara-jane-whitley&pid=189093990

Barbara Whitley, RIP

An article about Barbara Whitley in the Montreal Gazette of 04 June 2018. 

My interest in Miss Whitley is because she knew the Morrisey family; Darrell Morrisey is one of the "lost" Beaver Hall artists. I met Miss Whitley at St. James the Apostle Anglican Church, on Ste. Catherine Street in downtown Montreal, when the memorial to F.R. Scott was unveiled there. By chance I asked her if she knew the Morrisey family (no relation to me) and she had known them; she had known Darrell's brother T.S. Morrisey but not Darrell who died in 1930. 

Here is my essay on Darrell Morrisey:
https://archive.org/details/DARRELLMORRISEYAForgottenBeaverHallArtistByStephenMorrissey

St. James the Apostle Anglican Church, 1890

Life Stories: Barbara Whitley had an eye 

for penmanship and philanthropy

Whitley spent decades as a volunteer with the Montreal General Hospital, one of many places she touched

SALIM VALJI, SPECIAL TO MONTREAL GAZETTE

Updated: June 4, 2018

Barbara Whitley felt that writing was sacred.

With an eye for detail, she adored the graceful and elegant italic penmanship style she grew up learning. Whitley, who died in May at the age of 100, went to school at The Study, a private all-girls school in Westmount, graduating in 1936. Even after her studies, Whitley remained deeply involved in the school as a volunteer.

In a world increasingly reliant on technology, Whitley wanted to preserve the art of penmanship. At one point she approached the school’s headmistress, Katharine Lamont, about rewarding students for outstanding penmanship. Two years later, the Barbara Whitley Handwriting Prize was created.

“She decided to donate this prize to the school one day on a whim, thinking that the art of handwriting was lost,” said Pattie Edwards, director of Alumnae Relations at The Study. “She didn’t think it would become a tradition, but we’ve been carrying on that tradition for a very long time.”

In 1973, Whitley helped create The Study School Foundation to help enhance the education of its students. Decades later, its endowment stands at more than $5 million.

“She was a really amazing, amazing woman,” Edwards said.

Whitley completed her undergraduate studies at McGill University. McGill’s Schulich School of Music held a special place in Whitley’s heart, and in the early 2000s she financially supported the creation of the Gertrude Whitley Performance Library, named in memory of her mother. The library now has more than 5,500 ensemble scores and parts in its collection. It also provides all the music material to the McGill Symphony Orchestra, the University Chorus and the Jazz Orchestra. She also gave frequent gifts to the MUHC and other parts of the school.

In her youth, Whitley was a stage actor and worked with famed humorist Stephen Leacock. She even joined him on his radio broadcasts. Whitley was heavily involved in the Centaur Theatre and Geordie Productions. One of her final stage roles was as a poisonous sister in the production of the thriller Arsenic and Old Lace.

“She was a really great artist,” Edwards said.

For Whitley, giving back to the community was almost instinctual. Her father, Ernest, had experienced eye problems when she was growing up. Later on, she supported causes related to vision and service dogs.

“Eye health was very close to her heart,” Edwards said. “She was just one of those people who just believed that if something needed to be done, she would do it. And she would get it done, and make it beautiful and special.”

Whitley was also known to help individuals, rarely taking credit for the work she did. Eventually, her trophy shelf became filled with honours from the Governor General (Caring Canadian Award in 2004), Queen Elizabeth (Diamond Jubilee Medal in 2013) and MUHC (Lifetime Achievement Award in 2016).

“When I sent out the notice for her death, there were a number of people writing back to tell me about how they spent time with Miss Whitley, about how Miss Whitley got her their first job, about how Miss Whitley touched their lives in some way or another,” Edwards said.

Beyond her philanthropy, Whitley was a riveting storyteller. She’d often hold court in her Westmount apartment, telling tales of Montreal’s good old days.

“Stories about the history that we didn’t know existed,” Edwards said. “The community, Montreal, people in fundraising, and everybody’s brother, sister, cousin. She knew everybody. You could listen to her talk all day long.”

A month before she died, Whitley celebrated her 100th birthday. It was a grand occasion, taking place at the Atwater Club, and dozens of relatives from Ontario made the trip to toast Whitley. It would be the last time many of them saw her, but she won’t soon be forgotten.

“Our slogan at the school is, ‘The world needs great women,’ ” Edwards said.

“She really was a formidable woman.”

Barbara Whitley

Born: April 8, 1918

Died: May 18, 2018

Darrell Morrisey on Church Hill Avenue

May 2011

Fall 2012

    

Here is where Darrell Morrisey grew up, at 85 Church Hill Avenue in Westmount, Quebec, as it looks today. Darrell is one of the forgotten or "lost" members or of the Beaver Hall group of Montreal artists. Regrettably, none of her art seems to have survived since her death in the 1930. 

Revised: 03 July 2018

Here is a link to my essay on Darrell Morrisey, https://archive.org/details/DARRELLMORRISEYAForgottenBeaverHallArtistByStephenMorrissey

Revised: 18 January 2023

More on Darrell Morrisey

It isn't much but at least Darrell Morrisey (one of the "forgotten" Beaver Hall artists) now has some recognition; people know that she existed and that she was an artist. To this end, I wrote an essay on her and she was included in the Museum's 1920s Modernism in Montreal exhibit--in fact, this was a major exhibition at the Museum--and she was included in the catalogue published for the exhibition. Not much, but better than nothing. . .

From the MMFA's 2015 exhibition of the Beaver Hall artists

Bottom left, one of two extant paintings by Darrell Morrisey

Darrell Morrisey at the Linton Apartments

Always a prestigeous address, the Linton Apartments in downtown Montreal--near the corner of Guy and Sherbrooke Street West--was home to Darrell Morrisey and her family; Darrell Morrisey is one of the "forgotten" Beaver Hall Artists, in the early years of the 20th Century.

From 1907

Linton Flats, 1907 - 1915

Linton Apartments on right

The Linton, 1912-13, photograph by Wm. Notman & Son,
built on James Linton’s front lawn. His house is still there behind it.

Photographed in 1947, Sherbrooke Street Linton Apartments
and Unitarian church Church of the Messiah

Medical Arts Building at the SE corner of Guy and Sherbrooke ,
looking east. The Linton in the upper left corner photographed in February 1927

Sherbrooke St. W., Linton Apts on right

The Linton apartments, Sherbrooke Street West

Note: Additional archival photographs added on 26 September 2024.

Darrell Morrisey essay on the Internet Archive

The Morrisey Family:
Darrell, TL, Syd & Clara outside Hazelbrae,
85 Churchill Avenue, Westmount

I've just posted my essay on Darrell Morrisey (no relation to me), a "lost" member of the Beaver Hall Group of artists, at the Internet Archive. Included is a postscript with photographs of two paintings by Darrell that were discovered in May 2014; these painting are, so far, the only paintings we have by her.

Home of Thomas Sydney Morrisey on Cedar Avenue, Westmount

Thomas Sydney (T.S.) Morrisey, Darrell Morrisey's older brother, lived most of his life within walking distance of his family home at 85 Church Hill Avenue, in Westmount, Quebec. Morrisey is a true war hero, he has a distinguished military career which includes spending part of World War One in Siberia. He was also a family man. These are photographs of Morrisey's home at 3275 Cedar Avenue, in Westmount, Quebec. Morrisey phoned my mother in the early 1940s regarding Morrisey family history, but we are not related to his family. Photos taken fall 2012.

Revised: 03 July 2018

Visiting Thomas Sydney Morrisey's grave on 12 March 2012

Thomas Sydney Morrisey (1890-1975) is the brother of Darrell Morrisey, one of the forgotten Beaver Hall artists, and the son of Thomas Lewis Morrisey. T.S. is buried with his wife, Beatrice Hilda Morrisey (1891-1967). T.S. Morrisey's mother is buried near where her son and daughter-in-law are buried. The location is Mount Royal Cemetery, Montreal. 

The grave of Thomas Sydney Morrissey at Mount Royal
Cemetery in Montreal, this visit on March 2012, T.S. Morrisey