T.L. Morrisey

Tuesday, April 27, 2010

Return to Girouard Avenue

Looking south on Girouard Avenue



(1) Return to Girouard Avenue 

When I returned to my grandmother’s flat at 2226 Girouard Avenue in May 2009, it felt as though no time at all had intervened since I was last there, that was also in May but forty years before. I had driven by the flat that day, as I often do, and noticed that the front door was open, there was an open house set up by a real estate agent. I rushed home and got my camera, and returned to a place that had meant so much to me my whole life. Entering the flat, it was as though only a few minutes had intervened since my last visit, so many years before. There was also a feeling of suspended animation as there had been no major renovations to the premises since it was built around 1900, and since 1966, when my grandmother died, there seemed to have been very little maintenance—the floors were now uneven, the door jambs crooked, the roof had leaked, and windows were threatening to fall out of the walls. Despite this, I felt “at home”; I was happy to have returned to this place that figures so much in my imaginal and psychic life. 


(2) It was in 1959... 

That day I took many photographs as I walked through the flat, I knew this would probably be my only visit there, and it was. The first room I entered had been my Aunt Mable’s bedroom where I can still remember sitting one afternoon on my father’s lap and learning how to spell, maybe I was three or four years old. Next was the living room where I often stood at the window and looked out at the street below—we were on the second floor — and one day in 1959 I counted eleven streetcars running along Girouard Avenue, for it was the last day there was streetcar service in Montreal. Here, too, was where my brother and I had visited our great aunts at Christmas just months after our grandmother had died; my Great Aunt Edna told us stories of the past, describing our grandparents’ wedding over seventy years before. I also entered what had been my grandmother’s bedroom; then the dining room; and as I walked down the long hallway to the rear of the flat I noticed the old claw foot bathtub in the bathroom; then my Great Aunt Essie’s bedroom; and finally I entered the kitchen and spare room off the kitchen where my great grandfather had lived his final years. All of these memories returned to me, including Bella, the cleaning lady my grandmother had come to the flat once a month in her old age; I remembered Bella on her hands and knees, with her nylons rolled down to her ankles, polishing the hardwood floors by hand and the smell of floor wax in the air. 


(3) Geography 

Girouard Avenue is on the eastern edge of NDG although it isn’t the true border where NDG begins and ends, but psychologically that border is Girouard. Driving south on Girouard, below Sherbrooke Street West, we pass my grandmother’s flat and then drive through an underpass at the bottom of the street; now we’re in Lower NDG and if you turn left from there onto St. Jacques you're headed in the direction of St. Henry, St. Cunegonde, Griffintown, Little Burgundy, or Point St. Charles. This journey is across the years but also across our collective emotions, a journey from the past that is frozen in a kind of suspended animation. 


(4) Dreams 

While I have often dreamed of the Girouard Avenue flat, it bothered me that usually my grandmother was absent in these dreams. Maybe one or both of the old great aunts would be there or the flat was empty, but only seldom was my grandmother present. I now see that it isn't only the people, it's the actual place that is important to me, and this includes and encompasses my relatives and ancestors who lived there, it encompasses all we've done as a family living at this one location for so many years. Not only was the flat itself important to me, it was my psychic centre, a place of dreams and poetry, a place of creativity, family, memory, and emotion. The Girouard flat was a place of the soul and I have manifested the soul’s vision in the poems I have written. We contribute to the world with our poetry, our creativity, our love, our enthusiasm, our spirit, and this is what I have tried to do in my writing and in my life. 


(5) Notre Dame de Grace 

Many people have their own “Girouard Avenue,” as such it is an archetype for that first home, that first idealized place where we grew up and where we had our first memories of childhood. It is a place for us that recalls the world of innocence. For many of us, it is the place where we first lived as we moved upward in social class, from St. Henry to Notre Dame de Grace, to the familiar "NDG," our new neighbourhood. Many of our parents never finished high school: my father dropped out of St. Leo’s Academy to help support his family after his father died; my mother went to the Mother House and learned shorthand, typing, and secretarial work. 


(6) The quiet zone that is old age 

I was a quiet child and did not need constant entertainment, or any entertainment, when I stayed at my grandmother’s. I never thought of her as being someone to play with, I went to her house and stayed the day and just naturally played on my own. I respected that she was old. I looked out the window; I played with little cars on a tea wagon; I sat and listened to the radio with my grandmother; one day, I asked her to play the piano for me and we sat on the piano bench, just inside the living room, and she played a few notes, and then stopped, she could no longer play. I accepted my days of relative inactivity at her home as normal, as what one did at one’s grandmother’s home. I knew she was old and that she did not do much, she drank tea and ate toast, she sat, she listened to the radio. This created in me a sense of what it is to be old, of the quiet zone that is old age. I still enter a quiet zone of my own, as I have done my whole life, and which was a gift from my grandmother to me.