T.L. Morrisey

Monday, July 19, 2010

Wolves at Alexis Nihon Plaza








The numinous world is all around us, waiting to break through the unconscious into our awareness. It is like these plastic wolves, found in the window of a dollar store in Alexis Nihon Plaza in Montreal. There the wolves wait, actually quite attractive figurines or statuettes, but still nothing all that special, and yet they are a reminder of the numinous order to things. The numinous--archetypes, metaphor, symbolism, mythology--are always present, always waiting to enter consciousness, always just under the surface of consciousness.

Jungians have always been fascinated by popular culture, which can be an expression of the human psyche and what it contains, represented to us in the everyday--in the quotidian--where it is an expression of our social and cultural concerns, our psychological and spiritual concerns, our collective concerns, unadorned by the aspect of high art that is deliberate and sometimes exclusive.

These wolves remind us, even if it remains unconscious, of the part of the psyche that cannot be tamed, that is always only once removed from primeval and atavistic aspects of consciousness.

I remember, years ago, reading Albert Schweitzer's On the Edge of the Primeval Forest (1922), it was on the reading list for the high schools of the Protestant School Board of Greater Montreal, and then a few years later I read A Heart of Darkness, published twenty years earlier, by Joseph Conrad, both books set in Africa. The first, a benevolent expression of Christianity (the work done at Schweitzer's Lambarene mission) in Africa; the other, how western consciousness is affected by shadow content. Both books are fascinating explorations of European consciousness relocated to a foreign environment. Conrad's vision is more relevant for us as it shows western consciousness when removed from the supports offered by western society, by western mythology. Today, and for the last hundred years years, these supports have been removed for many people in western society. We consider this the decline of western civilization, and the old civilization is indeed in decline and has been for many years, but we also live in a dynamic and vital post-modern world which adapts to change and is capable of re-visioning itself. What most people don't realize is that a new mythology has been created, new psychological supports have been created, that the numinous can never be far removed from consciousness. That we aren't fully aware of these new supports--a new mythology for living--isn't evidence that they don't exist; it is evidence that they are active, vibrant, and relevant. For many people this is a difficult time in which to live, it demands something most people aren't prepared to do, and that is to become people who are conscious and aware.

Note: When I wrote this I could still be a detached observer of things; no longer. The supports of western civilization are being destroyed by people in the west, it is called being woke, but they are not really "woke" or awake, or even aware but they are full of self-hatred. In their rush to destroy the society and culture that educated them and gave them the affluent life that they enjoy, they forget the many achievements of western society. If this is the new mythology of western society, then I didn't see it coming. These woke people want to destroy western society, tear it down, even to the basic unit of society that is the family.  (19 February 2023)

Sunday, July 18, 2010

Sailboats at Kitsilano




Years ago, I bought a painting from Nellie McClung, who was not only a wonderful poet but also a talented visual artist. My spirits are always lifted when I see her painting, "Sailboats at Kitsilano," in a room in our home. One afternoon in the mid- or late- 1990s we visited Nellie at her home. In one room, it was the first room on the right as you entered her east end Vancouver home, she had some large paintings leaning against a wall and we looked through these. I decided to buy "Sailboats at Kitsilano"; since she had lost some money to an unscrupulous acquaintance we agreed that I would pay her on the installment plan and I enjoyed our correspondence over the next six months. The painting was unsigned so Nellie signed it with her forefinger using paint from a can of house paint. A few weeks ago, all these years later, sitting at the beach looking out at the sailboats, there was Nellie's painting. 

"Sailboats at Kitsilano" by Nellie McClung



You can read Nellie's chapbook, Charles Tupper and Me (2004) that we published for her at http://coraclepress.com/chapbooks/mcclung/charles_tupper_and_me.html.


Kitsilano Showboat at Kitsilano Beach

Saturday, July 17, 2010

Dream Journeys: "Psyche's Night Journey"




9.

Former Prime Minister Chretien tells me
he’ll do what he can for us
to hang onto the building,
but there are other people who want it.
Also he wants me to lose weight, improve my health.

10.

In a basement, flooded with two or three feet of water,
big shits like loaves of bread
float in the water and I try to break them into slices
with a paddle so that when my wife arrives,
walking in the water, she won’t step on the shit.
I try to stuff the shit down a drain

Friday, July 16, 2010

Dream Journeys: "Psyche's Night Journey"





7.

I am walking along a street of ice and snow.
I stop and pay for a newspaper with tokens from the casino.
Then I am in a dentist’s office full of Americans,
all smiling and young, in cubicles.
The dentists in their white jackets
are all eager to work, even when
a small black dog tries to get into the building.
I open a door and a stag is there
also trying to get in.
I try to hold him back, but he’s large
and incredibly strong as he breaks through the door.
Now he’s in the building, in the hallway, in a room.


8.

There are three of us sky diving,
holding hands forming a circle.
We are not falling, instead
we are ascending the sky.
As we rise higher, the physical body
feels not only healed, but ecstatic
in freedom from earth and an aging body:
I did not want to return to this life
I am living, I did not want to return
to the old life. I weep as I feel complete joy.

Wednesday, July 14, 2010

Dream Journeys: "Psyche's Night Journey"





5.

I am a student again. I sit in the back of the classroom
with some women around me.
When I leave I put on my coat and think
I could offer to drive one of the women home, but I don’t.
Then I am at a banquet and someone is telling the poet George Johnston
that the university will name a building after him.
Jeanne, his wife, is there and she says she could cry hearing this.
George is wearing a very white shirt, he’s shaved off his beard,
and I embrace him, congratulate him on the building with his name.
Later, I ask the woman “Was George a student at the U of T?”
and she says he was and that’s why a building will be named after him.



6.

I return to 4614 Oxford Avenue to visit our old home.
I am in the flat when the present tenants arrive,
I point to out to them the leaves I’ve just raked,
how I’ve improved the lawns.
In the living room there are four fireplaces:
three are new, gas or electric. We visit other rooms.
I’ve forgotten my camera. I tell them who used to live in this building.
They seem to remember the people who lived upstairs,
they may have committed suicide in the 1980s.
I go for a walk, and it’s all traffic rushing by.
An old woman holds up her hand and crosses the street.