T.L. Morrisey

Monday, March 7, 2022

More on Darrell Morrisey

It isn't much but at least Darrell Morrisey (one of the "forgotten" Beaver Hall artists) now has some recognition; people know that she existed and that she was an artist. To this end, I wrote an essay on her and she was included in the Museum's 1920s Modernism in Montreal exhibit--in fact, this was a major exhibition at the Museum--and she was included in the catalogue published for the exhibition. Not much, but better than nothing. . .


From the MMFA's 2015 exhibition of the Beaver Hall artists

Bottom left, one of two extant paintings by Darrell Morrisey






Friday, March 4, 2022

The Montreal Museum of Fine Arts

Here we are in October 2015 at the Montreal Museum of Fine Arts on Sherbrooke Street West in Montreal, we're visiting an exhibition of the Beaver Hall artists; this building is where the Art Association of Montreal relocated in 1913. Banners for the 1920s Modernism in Montreal exhibit hang on the outside of the original building on the north side of the street; a newer building (the Jean-Paul Desmarais Pavilion, that opened in 1991) is located directly across the street; next door to the original museum building is the Marc Bougie Pavilion, that opened in 2010; the Marc Bougie Pavilion used to be the Erskine and American (Presbyterian) United Church until it was repurposed as an exhibition space for Canadian Art and a concert hall. 

For many years I have felt that the Museum is one of the great attractions to visiting Montreal and to enjoying living here. 


Opened in December 1913, this building replaced the AAA's Phillips Square location;
it is now one of several pavilions that comprise the MMFA; the original 1913 building is now the 
Michal and Renata Hornstein Pavilion for Peace

  

The Michal and Renata Hornstein Pavilion for Peace






The Marc Bougie Pavilion, note the addition of exhibition space at the rear of the building;
this was originally the Erskine and American (Presbyterian) United Church









Interior of the Michal and Renata Hornstein Pavilion for Peace


Interior of the Michal and Renata Hornstein Pavilion for Peace


Tuesday, March 1, 2022

The Beaver Hall Artists

I began this journey, writing about Phillips Square, because the Art Association of Montreal was located on the north-east corner of the Square; I always thought that members of the Beaver Hall group of artists could easily have walked up Beaver Hall Hill to the AAA where some of them attended art classes or looked at art. The Beaver Hall group of artists are considered to be the Montreal-based equivalent of the Group of Seven artists; in fact, A.Y. Jackson was a member of both groups. That is why I began collecting photographs of Phillips Square and the original building that housed the AAM, and I began looking for historical photographs of the Beaver Hall artists' studio on Beaver Hall Hill. I was curious about the Beaver Hall artists and how they are an important part of the history of Montreal; perhaps more importantly, I like their art very much. 

Someone I wrote about, Darrell Morrisey (no relation), has a kind of curious importance; Darrell is one of several Beaver Hall artists who have been forgotten by history. In Darrell's case, we really don't know what happened to her art, whether she gave up being an artist, or someone discarded her paintings after her early death in 1930, or whether she was not prolific and her remaining paintings have disappeared over time. In 2012 I wrote an essay about Darrell Morrisey and since then she was included in the Beaver Hall artist exhibition held at the Montreal Museum of Fine Arts in 2015, she was included in their exhibition catalogue, and two of her paintings (on two sides of the same panel) and several drawings were discovered after I published my essay. She is not among the best of the Beaver Hall artists but she is an interesting story of endurance, family history, and one woman's effort to be independent. 


This old map of Montreal shows Beaver Hall Hill, St. Patrick`s Church
on an adjacent street to Beaver Hall Hill, and other locations



The arrow indicates the Beaver Hall artists`studio


The arrow indicates a building where the 
Beaver Hall artists' studio was located


This is a Google Street View of the previous image, as of October 2021, 
the relentless construction of condos and office buildings has destroyed
whatever was left of the original Beaver Hall Hill; the Beaver Hall artists' studios
were in a building to the right of the remaining building above




From Lowell's Montreal City Directory, the address of the Beaver Hall 
Group of Artists, 305 Beaver Hall Hill


Looking south on Beaver Hall Hill towards Victoria Square, 1950s


Thursday, February 24, 2022

Habitat 67

I mentioned the dedicated bus service to Habitat 67 in the last post. Habitat 67 was constructed for Expo 67 (see https://en.wikipedia.org/wiki/Expo_67), the incredibly successful World's Fair held in Montreal in 1967. I am not sure Habitat was popular at first, it was isolated and needed a special bus service for the residents. It may also have been cold and wind swept in the winter. Habitat is idiosyncratic in design but no one lives there who doesn't appreciate the architecture of the place, that is its special quality; it is a design for the future: high density living but privacy for the residents. 

These photographs were taken in 2011 during a boat ride from the port in Old Montreal. 











Saturday, February 19, 2022

Restaurant Julien near Phillips Square

We used to enjoy Friday evenings in downtown Montreal. Sometimes we'd eat at Restaurant Julien on Union Avenue; it was a great place but is now closed. When there was a hockey game at the Bell Centre this place would be full of out-of-towners; now, due to Covid, there are no out-of-towners. . . BTW, Union Avenue was named after the union of Upper and Lower Canada in 1840; before that it was called Brunswick Avenue.

The people who worked at or owned Restaurant Julien should know that many of us enjoyed their restaurant and still miss going there.  

Photos taken in 2013.


Phillips Square at night; the Canada Cement Building is on the far right



We're on Union Avenue looking back at The Bay and Phillips Square;
that's the Canada Cement Building on the right



I can see that Union Avenue isn't the greatest for foot traffic at night, maybe another reason
Restaurant Julien went out of business... location




Restaurant Julien on Union Avenue


The bus on the right is a dedicated service to Habitat 67, the still innovative housing complex
constructed for Expo 67



Interior of Restaurant Julien





Tuesday, February 15, 2022

Phillip's Square from The Bay

All but one of the following photographs were taken in 2011 when we used to go to The Bay and my wife would buy clothes at The Bay's Jacques Vert department, I think it was on the second or third floor. In Vancouver The Bay has a terrific cafeteria, full course meals, while the cafeteria at the downtown Montreal Bay store is good but not great.  Next to the cafeteria is a small, free, museum on the history of The Bay and it's worth visiting. Some of these photos were taken from the dress department just above the Ste. Catherine Street entrance to The Bay; that's Phillip's Square directly across the street, this is the entrance where the organ grinder played back in the 1950s.


Spring 2011

June 2011

Where the Burger King is located was the location of the Art Association of Montreal; June 2011


Birks is on the right, now it has a hotel built on top of the original store








The Canada Cement Company building behind the statue of King Edward VII


Taken from Ste. Catherine Street, this is the entrance to The Bay, in 2013




Friday, February 11, 2022

Two poems by Kenneth Patchen

 


A Vision for the People of America

O the poets with death on their tongues
shall come to address you.


The fat nonsense will end.
You will drown in your rot.



The poets with death on their tongues
shall come to address you.


The slimy hypocrisy will end.
You will go down in your filth.



O the poets with death on their tongues
shall come to address you.



O Fiery River

O fiery river
Flow out over the land
Men have destroyed the roads of wonder,
And their cities squat like black toads
In the orchards of life.
Nothing is clean, or real, or as a girl,
Naked to love, or to be a man with.
The arts of this American land
Stink in the air of mountains;
What has made these men sick rats
That they find out every cheap hole?

How can these squeak of greatness?
Push your drugstore-culture into the sewer
With the rest of your creation.
The bell wasn't meant to toll for you.
Keep your filthy little hands off it.

O fiery river
Spread over this American land.
Drown out the falsity, the smug contempt
For what does not pay . . .
What would you pay Christ to die again?

Note: Both poems are from Kenneth Patchen's Selected Poems, published by New Directions.


Tuesday, February 8, 2022

Phillips Square, Some Photographs

There are thousands of historical photographs of Phillips Square, here are a few that follow the changes in the square.


Here is Phillips Square when it was still treed and rural; the AAM in the background;
the city plans to restore some of the trees


The building on the right was owned by Alfred Joyce, a prominent Montreal businessman;
the building was demolished and the Canada Cement Building constructed 
on this site in 1922


The Canada Cement Building is directly behind
the statue of King Edward VII









Morgan's Department store on the left; 
Phillips Square is across the street from Morgan's


Phillips Square, 1950s


Friday, February 4, 2022

Some quotations from Lament for a Nation (1965), by George Grant

 



In Lament for a Nation (1965), George Grant writes as though Canada has already ceased to exist. While some of these quotations are satirical and ironic, they are all serious and even prescient. George Grant holds up Quebec as a model for an independent nation, French Canadians place national concerns over individual rights while the rest of Canada has the opposite approach; in other words, in Quebec there is a uniformity of national vision and resolve to attain it (the preservation of the French language and the possibility of independence); a vision of national purpose is lacking in the rest of Canada which seems to be following an American model for nationhood. Is Canada a "real" country? (Lucien Bourchard said it wasn't), or is English-Canada just a multi-cultural hodgepodge without any Canadian culture or belief in ourselves as a nation? 

 

On the disappearance of Canada:

... Canada's disappearance is not only necessary but good. As part of the great North American civilization, we enter wider horizons; Liberal policies are leading to a richer contentalism [sic]. (37)

 

In no society is it possible for many men to live outside the dominant assumptions of their world for very long. Where can people learn independent views, when newspapers and television throw at them only processed opinions? In a society of large bureaucracies, power is legitimized by conscious and unconscious processes. (42)

 

On the universal and homogeneous state:

The confused strivings of politicians, businessmen, and civil servants cannot alone account for Canada's collapse. This stems from the character of the modern era. The aspirations of progress have made Canada redundant. The universal and homogeneous state is the pinnacle of political striving. "Universal" implies a world-wide state, which would eliminate the curse of war among nations; "homogeneous" means all men would be equal, and war among classes would be eliminated. (53)

 

Modern civilization makes all local cultures anachronistic. Where modern science has achieved its mastery, there is no place for local cultures. It has often been argued that geography and language caused Canada’s defeat. But behind these there is a necessity that is incomparably more powerful. Our culture floundered on the aspirations of the age of progress. The argument that Canada, a local culture, must disappear can, therefore, be stated in three steps. First, men everywhere move ineluctably toward membership in the universal and homogenous state. Second, Canadians live next door to a society that is the heart of modernity. Third, nearly all Canadians think that modernity is good, so nothing   essential distinguishes Canadians from Americans. (54)

 

This world-wide society will be one in which all human beings can at last realize their happiness in the world without the necessity of lessening that of others. (56)

 

The belief in Canada's continued existence has always appealed against universalism. It appealed to particularity against the wider loyalty to the continent. If universalism is the most "valid modern trend," then is it not right for Canadians to welcome our integration into the empire? (85)

 

Liberalism was, in origin, criticism of the old established order. Today it is the voice of the establishment. (93)

 

... facts about our age must also be remembered: the increasing outbreaks of impersonal ferocity, the banality of existence in technological societies, the pursuit of expansion as an end in itself. Will it be good for men to control their genes? The possibility of nuclear destruction and mass starvation may be no more terrible that that of man tampering with the roots of his humanity. .. The powers of manipulations now available may portend the most complete tyranny imaginable. (94)

 

The classical philosophers asserted that a universal and homogenous state would be a tyranny. (96)

 

If the best social order is the universal and homogeneous state, then the disappearance of Canada can be understood as a step toward that order. If the universal and homogeneous state would be a tyranny, then the disappearance of even this indigenous culture can be seen as the removal of a minor barrier to that tyranny. (96)

 

On American Conservatives:

To return to the general argument. There is some truth in the claim of American conservatives. Their society does preserve constitutional government and respect for the legal rights of individuals in a way that the eastern tyrannies do not. (63)

 

Their concentration on freedom from governmental interference has more to do with nineteenth-century liberalism than with traditional conservatism, which asserts the right of the community to restrain freedom in the name of the common good. (64)

 

They are not conservatives in the sense of being the custodians of something that is not subject to change. They are conservatives, generally, in the sense of advocating a sufficient amount of order so the demands of technology will not carry the society into chaos. (67)

 

On the CBC:

The jaded public wants to be amused; journalists have to eat well. Reducing issues to personalities is useful to the ruling class. The "news" now functions to legitimize power, not to convey information. The politics of personalities helps the legitimizers to divert attention from issues that might upset the status quo. (7)

 

The Conservatives also justifiably felt that the CBC, then as today, gave too great prominence to the Liberal view of Canada. (19)

  

On the Quebec Nation:

The French Canadians had entered Confederation not to protect the rights of the individual but the rights of the nation. They did not want to be swallowed up by that sea which Henri Bourassa had called "l'américanisme saxonisant." (21)

 

In Canada outside of Quebec, there is no deeply rooted culture, and the new changes come in the form of ideology (capitalist and liberal) which seems to many a splendid vision of human existence. (43)

 

To turn to the more formidable tradition, the French Canadians are determined to remain a nation. During the nineteenth century, they accepted almost unanimously the leadership of their particular Catholicism--a religion with an ancient doctrine of virtue. After 1789, they maintained their connection with the roots of their civilization through their church and its city, which more than any other in the West held high a vision of the eternal. To Catholics who remain Catholics, whatever their level of sophistication, virtue must be prior to freedom. They will therefore build a society in which the right of the common good restrains the freedom of the individual. Quebec was not a society that would come to terms with the political philosophy of Jefferson or the New England capitalists. (75-76)

 

Yet to modernize their education is to renounce their particularity. At the heart of modern liberal education lies the desire to homogenize the world. Today's natural and social sciences were consciously produced as instruments to this end. (79)

 

On Tradition:

My lament is not based on philosophy but on tradition. If one cannot be sure about the answer to the most important questions, then tradition is the best basis for the practical. (96)

 

On the Future:

In political terms, liberalism is now an appeal for the "end of ideology." This means that we must experiment in shaping society unhindered by any preconceived notions of good. "The end of ideology" is the perfect slogan for men who want to do what they want. (57-58)

 

Implied in the progressive idea of freedom is the belief that men should emancipate their passions. When men are free to do what they want, all will be well because the liberated desires will be socially creative. (58)

 

The next wave of American "conservatism" is not likely to base its appeal on such unsuccessful slogans as the Constitution and free enterprise. Its leader will not be a gentleman who truly cares about his country's past. It will concentrate directly on such questions as "order in the streets" which are likely to become crucial in the years ahead. The battle will be between democratic tyrants and the authoritarianism of the right. If the past is a teacher to the present, it surely says that democratic Caesarism is likely to be successful. (This is a footnote, on page 67)

 

The kindest of all God's dispensations is that individuals cannot predict the future in detail. (87)

 

But if history is the final court of appeal, force is the final argument. (89)