T.L. Morrisey

Thursday, September 24, 2020

Resonances (2018), sculpture by Mathieu Gaudet


Mathieu Gaudet's Resonances is located at Ecole Judith-Jasmin in the West End of Montreal. It is made of poured black concrete; the sculpture is a wave, it can be any type of wave; for instance,  "resonance" is defined as

. . . the phenomenon of increased amplitude that occurs when the frequency of a periodically applied force (or a Fourier component of it) is equal or close to a natural frequency of the system on which it acts.

But "resonances" also suggests something different, it is to "resonate", to identify with something, or

to have particular meaning or importance for someone : to affect or appeal to someone in a personal or emotional way. 

And one resonates with this sculpture, perhaps one thinks of a beach and waves approaching where one is sitting, or it might suggest a metaphysical perception of life and open the viewer to new ideas. 

Resonances works on different levels of meaning. As an object it is utilitarian, it is a partition separating the entrance to the new building from the larger green area of the older building to which it is attached. I think the sculpture gives the entrance a feeling of privacy and intimacy; the entrance to the new building is secluded, the ornamental grass giving it a feeling of solitude, of being in nature. It is a wave, showing how a new idea may begin with a single thought and then grow into something much larger and more profound. 

Another level of meaning is metaphysical, the sculpture is a long black object, black and in some ways forbidding, but also elegant. You have two elements at work here, water and earth, and they are often considered in opposition to each other. A wave is always changing and this wave changes as sunlight plays off of it. The shadow of the sculpture, black like the sculpture, is a second wave, and both are impermanent, temporal, subject to either the long term change of material deteriorating or to the short term way sunlight changes one's perception of something. In either case, change is always present, whether short or long term.








 





Thursday, September 17, 2020

Poetry is the Soul's DNA



Poetry is the soul's DNA, the memory of the human race. Poetry, not prose, not history, not fiction or drama or short stories or religious texts, but poetry is the expression of the collective unconscious. This DNA is the container and memory of everything humanity has done or will do, the Akashic record of everything that has happened in the past and will happen in the future; it does not recognize divisions of time into past, present, and future. Poetry is the single collective entity, the body of work, the distinct expression of the soul's DNA. Each poem is a separate expression of some aspect of the soul, the archetypes, emotions, intellectual musings, shared by all people living, to be born, and those that have died. It is both an expression of the Anima Mundi, the spirit of the world, and a celebration of humanity. 

Thursday, September 10, 2020

St. Stephen's Anglican Church in Lachine, Quebec

I used to visit Lachine, Quebec, fairly regularly. It's only fifteen minutes from where I live in Montreal but it always feels like I am on holiday when there. You can walk along the Lachine canal, visit different museums, eat at some terrific restaurants, go fishing at the lighthouse, walk along Lac St-Louis... on one of these walks I came across St. Stephen's Anglican Church. This is the oldest Anglican church on the Island of Montreal; founded in 1822, construction of the church was completed in 1831. The church is located at 25 12th Avenue in Lachine, behind the Couvent des Soeurs Ste-Anne, which I believe is now a college. I made this video in the spring of 2013.